FLUX AI Image Generated by Flux1.1 Pro

Create an ultra-photorealistic exterior architectural visualization of a contemporary single-family house in a rural, forest-edge setting in northern Poland. The architecture should be elegant, restrained and realistic — a sophisticated interpretation of a modern barn / “nowoczesna stodoła”, not an extravagant luxury villa. OVERALL ARCHITECTURAL CONCEPT The property consists of TWO CLEARLY SEPARATE BUILDING VOLUMES: 1. the MAIN RESIDENTIAL HOUSE, 2. a large GARAGE + SAUNA / AUXILIARY WING. These two volumes are NOT merged into one L-shaped building. They are physically separated by a short distance and connected only by a LOW, SHORT, FULLY GLAZED CONNECTOR CORRIDOR. The garage wing is positioned PERPENDICULAR to the longitudinal axis of the main house, creating an asymmetric L-shaped overall composition when viewed from above. The buildings must remain visually independent: two distinct gabled volumes with a low transparent glass connector between them. ⸻ MAIN HOUSE The main house is a long rectangular modern-barn volume. Make the house approximately 30% LONGER than a typical compact modern barn house. It should look elongated and elegant rather than tall and narrow. The house has: * one full ground floor, * a usable attic / upper level, * a simple rectangular footprint, * absolutely no projecting two-storey wings, * no bay windows, * no secondary attached volumes, * no complicated roof intersections. The main architectural form must remain extremely clean. ROOF Use one simple symmetrical GABLE ROOF. No flat roof on the main volume. No cross-gables. No dormer structures. Roof material: dark burgundy / deep wine-red standing-seam sheet metal. The burgundy must be dark and muted rather than bright red. Suggested visual character: RAL-like deep burgundy, wine red, dark oxblood, muted red-brown. The roof should provide a subtle but clearly visible contrast against the dark façade. Use standing-seam metal roofing with narrow vertical seams. Moderate-to-steep roof pitch appropriate for a contemporary Polish modern-barn house. Minimal roof overhangs. Dark gutters and flashing. ⸻ MAIN HOUSE FAÇADE The façade should be DARK but NOT pure black. Use a sophisticated combination of: * charcoal / anthracite standing-seam metal façade panels, * dark natural stone, * very limited warm timber accents. The dominant façade color should be: charcoal, graphite, very dark warm grey. Avoid completely black surfaces. The façade should retain visible texture and detail even in shadow. METAL Use vertically oriented dark metal cladding on large parts of the long façades. The metal should be: matte, non-reflective, architectural, high quality. Avoid an industrial warehouse appearance. STONE Use considerably more stone around the terrace / living-room section of the house. Stone should appear as LARGE, architecturally coherent façade fields, not random decorative stripes. Use dark natural stone with visible irregular texture. Possible visual references: dark gneiss, graphite quartzite, dark slate-like natural stone. The stone should create visual mass and contrast with the smoother metal façade. Use stone especially: * around the terrace, * around selected ground-floor glazing, * on vertical façade sections, * on parts of the gable walls. Do NOT cover the entire house in stone. The design should read as approximately: 50–60% dark metal, 30–40% dark stone, small amount of timber, large areas of glazing. ⸻ WINDOWS The house should have a large amount of glazing. Use: * tall floor-to-ceiling windows, * large sliding glass doors, * narrow vertical windows, * dark minimal aluminium frames. The ground floor should feel strongly connected with the garden. However, DO NOT create a continuous glass façade across the entire length of the house. The glazed living/dining area should occupy approximately 40–50% of the visible long façade. The remaining façade should contain substantial solid wall areas. The house must still feel architecturally massive and protected rather than like a glass pavilion. ⸻ UPPER FLOOR WINDOWS Keep upper-level glazing restrained. Do NOT create a huge upper-floor living-room window. Do NOT create a giant two-storey glass façade along the long side of the house. Use: * several narrow vertical windows, * small horizontal windows where appropriate, * restrained attic glazing. A tall gable window may be used selectively on the END façade, but the long façade should remain comparatively solid on the upper level. ⸻ TERRACE Create a covered terrace along ONLY APPROXIMATELY 40–50% OF THE LONG HOUSE FAÇADE. This is critical. The terrace must NOT extend across the entire house. The terrace corresponds to the main living / dining zone. Place it approximately toward one half of the house rather than centering it across the entire elevation. Use a minimalist flat canopy. The canopy should be: thin, dark, horizontal, architecturally integrated, supported by slender dark columns. It should clearly contrast with the steep gabled roof. The terrace itself should contain: * large-format stone or concrete slabs, * outdoor dining table, * approximately 6–8 chairs, * restrained outdoor lounge furniture, * a few large planters. No oversized luxury resort furniture. No swimming pool. No excessive decoration. The terrace should look realistic for everyday family use. ⸻ GARAGE / AUXILIARY BUILDING Place a separate large garage building PERPENDICULAR to the main house. The garage should be substantial — clearly larger than a minimal two-car garage. It needs enough internal volume for: * two cars, * storage, * technical/storage functions, * AND a separate large sauna / wellness room at the outer end. The garage volume should therefore appear DEEP as well as reasonably long. Compared with a typical two-car garage: make it approximately 25% deeper in the perpendicular dimension. Do NOT make it an extremely long thin building. Its proportions should suggest a wide and deep multifunctional auxiliary building. The garage has its own simple GABLE ROOF. Roof material and color should exactly coordinate with the house: dark burgundy standing-seam metal. The garage roof ridge runs PERPENDICULAR to the ridge of the main house. ⸻ GARAGE DOORS The garage has parking for TWO CARS. However: THE GARAGE DOORS MUST NOT BE VISIBLE FROM THE MAIN CAMERA ANGLE. The two-car entrance is located on the OPPOSITE SIDE of the garage. Therefore the façade facing the garden / camera should look like a proper architectural façade, NOT a garage entrance. Absolutely no large garage door on the visible long façade. ⸻ SAUNA Place the sauna at the FAR OUTER END of the garage wing. This is the part of the garage furthest away from the main house. The sauna must have a LARGE WINDOW. CRITICAL ORIENTATION: The sauna window is located on the SHORT END / FRONT GABLE FAÇADE OF THE GARAGE — the façade that faces LEFT in the principal rendering. The sauna window must NOT face the viewer directly on the long garage façade. It must face SIDEWAYS / LEFT. Make the sauna window substantially larger than a small utility window. Suggested size: approximately 1.5–2.5 m wide, approximately 1.2–1.8 m high. Through the glass, subtly show: * warm timber sauna interior, * horizontal wooden benches, * soft indirect amber lighting. Do not make it look like a shop window. It should remain private but clearly identifiable as a sauna. ⸻ GLASS CONNECTOR This element is architecturally VERY IMPORTANT. Connect the garage and main house using a SHORT, LOW, FULLY GLAZED CORRIDOR. The connector must be: * single-storey, * much lower than both buildings, * flat-roofed, * transparent, * minimalist, * approximately 30% shorter than a typical connector between the two buildings. Use: * floor-to-ceiling glazing, * very thin dark aluminium frames, * flat dark roof, * stone or concrete floor. The connector should visually disappear between the larger volumes. ⸻ EXACT POSITION OF THE GLASS CONNECTOR DO NOT CONNECT THE GLASS CORRIDOR TO THE CORNER OF THE MAIN HOUSE. THIS IS CRITICAL. The glass corridor must intersect the LONG SIDE WALL of the main house. Move the entire garage + connector composition TOWARD THE TERRACE. The connector should enter the house approximately 15–20% along the length of the long façade measured from the nearby end toward the terrace. There MUST be a clearly visible section of solid main-house wall between: * the nearest corner of the main house, * and the point where the glass corridor connects. The connector therefore looks deliberately inserted into the SIDE WALL rather than attached to the corner. Visually: GARAGE → SHORT GLASS CORRIDOR → SIDE WALL OF MAIN HOUSE → then further along the façade → TERRACE. The connector should sit noticeably closer to the terrace than to the far corner of the house. Do NOT let the image generator automatically attach the connector to the closest corner. ⸻ RELATIONSHIP BETWEEN BUILDINGS From the main viewpoint: GARAGE is on the LEFT. MAIN HOUSE is on the RIGHT. The garage is perpendicular to the house. The glass connector sits between them. The terrace is on the visible long façade of the main house and is relatively close to the glass connector. The composition should clearly show: [ GARAGE / SAUNA ] | [ SHORT GLASS CONNECTOR ] | [ SIDE WALL OF MAIN HOUSE ] —— [ COVERED TERRACE ] Not: GARAGE — connector — CORNER OF HOUSE. ⸻ LANDSCAPE The house sits on a large green rural plot near forest. Avoid dense urban landscaping. Use: * large natural lawn, * restrained ornamental grasses, * low shrubs, * occasional natural boulders, * simple perennial planting, * minimal manicured borders. The landscape should feel like a carefully designed transition between a garden and the surrounding natural environment. ⸻ TREES The vegetation behind the two building volumes must be DIFFERENT. BEHIND MAIN HOUSE Create a dense wall of MATURE TALL PINE TREES. The pines should be significantly taller than the house. They form a strong dark vertical forest backdrop behind the residential building. BEHIND GARAGE DO NOT continue the same tall pine wall. Instead place MUCH SHORTER SPRUCE TREES behind the garage. These spruces should be approximately 50% of the height of the mature pine trees behind the main house. This difference must be clearly visible. The landscape therefore transitions from: low/medium spruce vegetation behind garage to very tall mature pine forest behind main house. ⸻ PAVING Avoid covering the entire courtyard with paving. Most of the open space between and around the buildings should remain GREEN LAWN. Use hard surfaces only where functionally required. Provide: 1. a paved strip / driveway along the garage, 2. a pedestrian path running along the garage toward the house, 3. narrow paths around the house, 4. paving immediately around the terrace, 5. small entrance areas. Do NOT create a giant paved courtyard. Do NOT cover the central lawn with cobblestone. The landscape should remain predominantly green. Suggested paving: large rectangular concrete slabs, natural grey stone, or restrained grey pavers. ⸻ EXTERIOR LIGHTING Use subtle architectural lighting. Include: * small wall sconces, * low bollard lights along paths, * concealed warm lighting under the terrace canopy, * subtle illumination of stone walls. Color temperature: approximately 2700–3000 K. Avoid excessive decorative lighting. Avoid resort / hotel aesthetics. ⸻ FOUR TIME-OF-DAY VARIATIONS Create a 2 × 2 architectural comparison board showing EXACTLY THE SAME HOUSE, SAME CAMERA POSITION, SAME GEOMETRY, SAME LANDSCAPE AND SAME MATERIALS. Only lighting and time of day should change. Add clean, discreet POLISH labels. Top left: PORANEK Top right: DZIEŃ Bottom left: WIECZÓR Bottom right: NOC The four panels must preserve exactly the same architectural composition. ⸻ PORANEK — MORNING Clear or lightly cloudy early morning. Soft directional morning sunlight. Cool-neutral sky with slightly warm low-angle sunlight. Fresh green lawn. Natural shadows. IMPORTANT: ALL INTERIOR LIGHTS OFF. ALL EXTERIOR ARCHITECTURAL LIGHTS OFF. ALL PATH LIGHTS OFF. The windows should appear naturally dark or reflect the landscape and sky. Do not show artificial warm glow through windows. The architecture should be illuminated exclusively by natural daylight. ⸻ DZIEŃ — DAY Bright natural daytime conditions. Neutral daylight. Blue or partly cloudy sky. Good visibility of façade materials. Clearly show: * texture of dark stone, * matte metal panels, * burgundy standing-seam roof, * dark window frames, * glass reflections, * timber accents. IMPORTANT: ALL INTERIOR LIGHTS OFF. ALL EXTERIOR LIGHTS OFF. ALL LANDSCAPE LIGHTING OFF. No warm artificial glow from inside the house or sauna. This panel should be useful for evaluating actual material colors. ⸻ WIECZÓR — EVENING Blue-hour / late sunset conditions. Sky retains visible blue and warm sunset tones near the horizon. TURN ON ALL APPROPRIATE LIGHTING. Interior lighting ON. Terrace lighting ON. Glass connector lighting ON. Sauna lighting ON. Exterior wall sconces ON. Landscape/path lighting ON. The house should feel occupied and warm. Warm 2700–3000 K interior light should contrast with the cool evening environment. The sauna should have a particularly pleasant warm timber glow visible through its LEFT-FACING window. ⸻ NOC — NIGHT Dark realistic night. Deep blue-black sky. Optional subtle stars. Forest mostly dark but still legible. ALL ARCHITECTURAL LIGHTING ON. Interior lights ON. Terrace lights ON. Glass connector lights ON. Sauna lights ON. Exterior wall sconces ON. Path and garden lights ON. Warm pools of light should reveal the texture of the stone façade. The glass connector should glow softly as a transparent link between the two dark building masses. Do not overexpose the windows. The interiors should remain visible rather than becoming flat yellow rectangles. ⸻ CAMERA Use exactly the same camera for all four panels. Wide architectural exterior view. Camera height approximately 1.6–2.0 meters. Perspective similar to a professional full-frame camera with approximately 24–28 mm architectural lens. Camera positioned in the garden/courtyard. View diagonally toward both buildings. Main house occupies the RIGHT side of the composition. Garage occupies the LEFT side. The terrace must be clearly visible. The glass connector must be clearly visible. The sauna end of the garage should be visible enough that its large window on the LEFT-FACING END FAÇADE can be understood. Avoid extreme wide-angle distortion. Vertical lines must remain vertical. ⸻ VISUAL STYLE Ultra-photorealistic architectural visualization. High-end European architectural CGI. Physically based materials. Realistic global illumination. Accurate reflections. Subtle imperfections. Natural vegetation. Realistic glass. Realistic standing-seam metal. Highly detailed natural stone. Realistic timber. No fantasy architecture. No exaggerated luxury. No futuristic design. No American suburban style. No Alpine chalet style. No rustic log-cabin appearance. No glossy black façades. No excessive wood. No red brick. No swimming pool. No people. No cars visible from this garden-side camera. No huge paved courtyard. No oversized second-floor windows on the long façade. No continuous two-storey glazing. No garage doors visible. No glass connector attached to the corner of the house. No tall pine wall directly behind the garage. ⸻ ARCHITECTURAL PRIORITIES The final image must communicate, in this order: 1. Two clearly separate perpendicular gabled volumes. 2. Long residential modern-barn house. 3. Large deep garage / auxiliary building. 4. Short transparent glass connector entering the SIDE of the house, NOT its corner. 5. Connector and garage shifted toward the terrace. 6. Covered terrace occupying only approximately half of the relevant house façade. 7. Combination of dark metal and substantial dark natural-stone façade areas. 8. Deep muted burgundy standing-seam roofs. 9. Large but controlled amount of glazing. 10. Sauna located at the outer end of the garage with a large window on the LEFT-FACING end façade. 11. Tall mature pine forest behind the house. 12. Shorter spruce trees behind the garage. 13. Predominantly green lawn with limited functional paving. 14. Morning/day without artificial lighting. 15. Evening/night with warm interior, façade, terrace, sauna, connector and landscape lighting. The architecture and geometry must remain IDENTICAL in all four time-of-day panels. Only natural light, sky conditions and artificial lighting state should change.

Prompt

Create an ultra-photorealistic exterior architectural visualization of a contemporary single-family house in a rural, forest-edge setting in northern Poland. The architecture should be elegant, restrained and realistic — a sophisticated interpretation of a modern barn / “nowoczesna stodoła”, not an extravagant luxury villa. OVERALL ARCHITECTURAL CONCEPT The property consists of TWO CLEARLY SEPARATE BUILDING VOLUMES: 1. the MAIN RESIDENTIAL HOUSE, 2. a large GARAGE + SAUNA / AUXILIARY WING. These two volumes are NOT merged into one L-shaped building. They are physically separated by a short distance and connected only by a LOW, SHORT, FULLY GLAZED CONNECTOR CORRIDOR. The garage wing is positioned PERPENDICULAR to the longitudinal axis of the main house, creating an asymmetric L-shaped overall composition when viewed from above. The buildings must remain visually independent: two distinct gabled volumes with a low transparent glass connector between them. ⸻ MAIN HOUSE The main house is a long rectangular modern-barn volume. Make the house approximately 30% LONGER than a typical compact modern barn house. It should look elongated and elegant rather than tall and narrow. The house has: * one full ground floor, * a usable attic / upper level, * a simple rectangular footprint, * absolutely no projecting two-storey wings, * no bay windows, * no secondary attached volumes, * no complicated roof intersections. The main architectural form must remain extremely clean. ROOF Use one simple symmetrical GABLE ROOF. No flat roof on the main volume. No cross-gables. No dormer structures. Roof material: dark burgundy / deep wine-red standing-seam sheet metal. The burgundy must be dark and muted rather than bright red. Suggested visual character: RAL-like deep burgundy, wine red, dark oxblood, muted red-brown. The roof should provide a subtle but clearly visible contrast against the dark façade. Use standing-seam metal roofing with narrow vertical seams. Moderate-to-steep roof pitch appropriate for a contemporary Polish modern-barn house. Minimal roof overhangs. Dark gutters and flashing. ⸻ MAIN HOUSE FAÇADE The façade should be DARK but NOT pure black. Use a sophisticated combination of: * charcoal / anthracite standing-seam metal façade panels, * dark natural stone, * very limited warm timber accents. The dominant façade color should be: charcoal, graphite, very dark warm grey. Avoid completely black surfaces. The façade should retain visible texture and detail even in shadow. METAL Use vertically oriented dark metal cladding on large parts of the long façades. The metal should be: matte, non-reflective, architectural, high quality. Avoid an industrial warehouse appearance. STONE Use considerably more stone around the terrace / living-room section of the house. Stone should appear as LARGE, architecturally coherent façade fields, not random decorative stripes. Use dark natural stone with visible irregular texture. Possible visual references: dark gneiss, graphite quartzite, dark slate-like natural stone. The stone should create visual mass and contrast with the smoother metal façade. Use stone especially: * around the terrace, * around selected ground-floor glazing, * on vertical façade sections, * on parts of the gable walls. Do NOT cover the entire house in stone. The design should read as approximately: 50–60% dark metal, 30–40% dark stone, small amount of timber, large areas of glazing. ⸻ WINDOWS The house should have a large amount of glazing. Use: * tall floor-to-ceiling windows, * large sliding glass doors, * narrow vertical windows, * dark minimal aluminium frames. The ground floor should feel strongly connected with the garden. However, DO NOT create a continuous glass façade across the entire length of the house. The glazed living/dining area should occupy approximately 40–50% of the visible long façade. The remaining façade should contain substantial solid wall areas. The house must still feel architecturally massive and protected rather than like a glass pavilion. ⸻ UPPER FLOOR WINDOWS Keep upper-level glazing restrained. Do NOT create a huge upper-floor living-room window. Do NOT create a giant two-storey glass façade along the long side of the house. Use: * several narrow vertical windows, * small horizontal windows where appropriate, * restrained attic glazing. A tall gable window may be used selectively on the END façade, but the long façade should remain comparatively solid on the upper level. ⸻ TERRACE Create a covered terrace along ONLY APPROXIMATELY 40–50% OF THE LONG HOUSE FAÇADE. This is critical. The terrace must NOT extend across the entire house. The terrace corresponds to the main living / dining zone. Place it approximately toward one half of the house rather than centering it across the entire elevation. Use a minimalist flat canopy. The canopy should be: thin, dark, horizontal, architecturally integrated, supported by slender dark columns. It should clearly contrast with the steep gabled roof. The terrace itself should contain: * large-format stone or concrete slabs, * outdoor dining table, * approximately 6–8 chairs, * restrained outdoor lounge furniture, * a few large planters. No oversized luxury resort furniture. No swimming pool. No excessive decoration. The terrace should look realistic for everyday family use. ⸻ GARAGE / AUXILIARY BUILDING Place a separate large garage building PERPENDICULAR to the main house. The garage should be substantial — clearly larger than a minimal two-car garage. It needs enough internal volume for: * two cars, * storage, * technical/storage functions, * AND a separate large sauna / wellness room at the outer end. The garage volume should therefore appear DEEP as well as reasonably long. Compared with a typical two-car garage: make it approximately 25% deeper in the perpendicular dimension. Do NOT make it an extremely long thin building. Its proportions should suggest a wide and deep multifunctional auxiliary building. The garage has its own simple GABLE ROOF. Roof material and color should exactly coordinate with the house: dark burgundy standing-seam metal. The garage roof ridge runs PERPENDICULAR to the ridge of the main house. ⸻ GARAGE DOORS The garage has parking for TWO CARS. However: THE GARAGE DOORS MUST NOT BE VISIBLE FROM THE MAIN CAMERA ANGLE. The two-car entrance is located on the OPPOSITE SIDE of the garage. Therefore the façade facing the garden / camera should look like a proper architectural façade, NOT a garage entrance. Absolutely no large garage door on the visible long façade. ⸻ SAUNA Place the sauna at the FAR OUTER END of the garage wing. This is the part of the garage furthest away from the main house. The sauna must have a LARGE WINDOW. CRITICAL ORIENTATION: The sauna window is located on the SHORT END / FRONT GABLE FAÇADE OF THE GARAGE — the façade that faces LEFT in the principal rendering. The sauna window must NOT face the viewer directly on the long garage façade. It must face SIDEWAYS / LEFT. Make the sauna window substantially larger than a small utility window. Suggested size: approximately 1.5–2.5 m wide, approximately 1.2–1.8 m high. Through the glass, subtly show: * warm timber sauna interior, * horizontal wooden benches, * soft indirect amber lighting. Do not make it look like a shop window. It should remain private but clearly identifiable as a sauna. ⸻ GLASS CONNECTOR This element is architecturally VERY IMPORTANT. Connect the garage and main house using a SHORT, LOW, FULLY GLAZED CORRIDOR. The connector must be: * single-storey, * much lower than both buildings, * flat-roofed, * transparent, * minimalist, * approximately 30% shorter than a typical connector between the two buildings. Use: * floor-to-ceiling glazing, * very thin dark aluminium frames, * flat dark roof, * stone or concrete floor. The connector should visually disappear between the larger volumes. ⸻ EXACT POSITION OF THE GLASS CONNECTOR DO NOT CONNECT THE GLASS CORRIDOR TO THE CORNER OF THE MAIN HOUSE. THIS IS CRITICAL. The glass corridor must intersect the LONG SIDE WALL of the main house. Move the entire garage + connector composition TOWARD THE TERRACE. The connector should enter the house approximately 15–20% along the length of the long façade measured from the nearby end toward the terrace. There MUST be a clearly visible section of solid main-house wall between: * the nearest corner of the main house, * and the point where the glass corridor connects. The connector therefore looks deliberately inserted into the SIDE WALL rather than attached to the corner. Visually: GARAGE → SHORT GLASS CORRIDOR → SIDE WALL OF MAIN HOUSE → then further along the façade → TERRACE. The connector should sit noticeably closer to the terrace than to the far corner of the house. Do NOT let the image generator automatically attach the connector to the closest corner. ⸻ RELATIONSHIP BETWEEN BUILDINGS From the main viewpoint: GARAGE is on the LEFT. MAIN HOUSE is on the RIGHT. The garage is perpendicular to the house. The glass connector sits between them. The terrace is on the visible long façade of the main house and is relatively close to the glass connector. The composition should clearly show: [ GARAGE / SAUNA ] | [ SHORT GLASS CONNECTOR ] | [ SIDE WALL OF MAIN HOUSE ] —— [ COVERED TERRACE ] Not: GARAGE — connector — CORNER OF HOUSE. ⸻ LANDSCAPE The house sits on a large green rural plot near forest. Avoid dense urban landscaping. Use: * large natural lawn, * restrained ornamental grasses, * low shrubs, * occasional natural boulders, * simple perennial planting, * minimal manicured borders. The landscape should feel like a carefully designed transition between a garden and the surrounding natural environment. ⸻ TREES The vegetation behind the two building volumes must be DIFFERENT. BEHIND MAIN HOUSE Create a dense wall of MATURE TALL PINE TREES. The pines should be significantly taller than the house. They form a strong dark vertical forest backdrop behind the residential building. BEHIND GARAGE DO NOT continue the same tall pine wall. Instead place MUCH SHORTER SPRUCE TREES behind the garage. These spruces should be approximately 50% of the height of the mature pine trees behind the main house. This difference must be clearly visible. The landscape therefore transitions from: low/medium spruce vegetation behind garage to very tall mature pine forest behind main house. ⸻ PAVING Avoid covering the entire courtyard with paving. Most of the open space between and around the buildings should remain GREEN LAWN. Use hard surfaces only where functionally required. Provide: 1. a paved strip / driveway along the garage, 2. a pedestrian path running along the garage toward the house, 3. narrow paths around the house, 4. paving immediately around the terrace, 5. small entrance areas. Do NOT create a giant paved courtyard. Do NOT cover the central lawn with cobblestone. The landscape should remain predominantly green. Suggested paving: large rectangular concrete slabs, natural grey stone, or restrained grey pavers. ⸻ EXTERIOR LIGHTING Use subtle architectural lighting. Include: * small wall sconces, * low bollard lights along paths, * concealed warm lighting under the terrace canopy, * subtle illumination of stone walls. Color temperature: approximately 2700–3000 K. Avoid excessive decorative lighting. Avoid resort / hotel aesthetics. ⸻ FOUR TIME-OF-DAY VARIATIONS Create a 2 × 2 architectural comparison board showing EXACTLY THE SAME HOUSE, SAME CAMERA POSITION, SAME GEOMETRY, SAME LANDSCAPE AND SAME MATERIALS. Only lighting and time of day should change. Add clean, discreet POLISH labels. Top left: PORANEK Top right: DZIEŃ Bottom left: WIECZÓR Bottom right: NOC The four panels must preserve exactly the same architectural composition. ⸻ PORANEK — MORNING Clear or lightly cloudy early morning. Soft directional morning sunlight. Cool-neutral sky with slightly warm low-angle sunlight. Fresh green lawn. Natural shadows. IMPORTANT: ALL INTERIOR LIGHTS OFF. ALL EXTERIOR ARCHITECTURAL LIGHTS OFF. ALL PATH LIGHTS OFF. The windows should appear naturally dark or reflect the landscape and sky. Do not show artificial warm glow through windows. The architecture should be illuminated exclusively by natural daylight. ⸻ DZIEŃ — DAY Bright natural daytime conditions. Neutral daylight. Blue or partly cloudy sky. Good visibility of façade materials. Clearly show: * texture of dark stone, * matte metal panels, * burgundy standing-seam roof, * dark window frames, * glass reflections, * timber accents. IMPORTANT: ALL INTERIOR LIGHTS OFF. ALL EXTERIOR LIGHTS OFF. ALL LANDSCAPE LIGHTING OFF. No warm artificial glow from inside the house or sauna. This panel should be useful for evaluating actual material colors. ⸻ WIECZÓR — EVENING Blue-hour / late sunset conditions. Sky retains visible blue and warm sunset tones near the horizon. TURN ON ALL APPROPRIATE LIGHTING. Interior lighting ON. Terrace lighting ON. Glass connector lighting ON. Sauna lighting ON. Exterior wall sconces ON. Landscape/path lighting ON. The house should feel occupied and warm. Warm 2700–3000 K interior light should contrast with the cool evening environment. The sauna should have a particularly pleasant warm timber glow visible through its LEFT-FACING window. ⸻ NOC — NIGHT Dark realistic night. Deep blue-black sky. Optional subtle stars. Forest mostly dark but still legible. ALL ARCHITECTURAL LIGHTING ON. Interior lights ON. Terrace lights ON. Glass connector lights ON. Sauna lights ON. Exterior wall sconces ON. Path and garden lights ON. Warm pools of light should reveal the texture of the stone façade. The glass connector should glow softly as a transparent link between the two dark building masses. Do not overexpose the windows. The interiors should remain visible rather than becoming flat yellow rectangles. ⸻ CAMERA Use exactly the same camera for all four panels. Wide architectural exterior view. Camera height approximately 1.6–2.0 meters. Perspective similar to a professional full-frame camera with approximately 24–28 mm architectural lens. Camera positioned in the garden/courtyard. View diagonally toward both buildings. Main house occupies the RIGHT side of the composition. Garage occupies the LEFT side. The terrace must be clearly visible. The glass connector must be clearly visible. The sauna end of the garage should be visible enough that its large window on the LEFT-FACING END FAÇADE can be understood. Avoid extreme wide-angle distortion. Vertical lines must remain vertical. ⸻ VISUAL STYLE Ultra-photorealistic architectural visualization. High-end European architectural CGI. Physically based materials. Realistic global illumination. Accurate reflections. Subtle imperfections. Natural vegetation. Realistic glass. Realistic standing-seam metal. Highly detailed natural stone. Realistic timber. No fantasy architecture. No exaggerated luxury. No futuristic design. No American suburban style. No Alpine chalet style. No rustic log-cabin appearance. No glossy black façades. No excessive wood. No red brick. No swimming pool. No people. No cars visible from this garden-side camera. No huge paved courtyard. No oversized second-floor windows on the long façade. No continuous two-storey glazing. No garage doors visible. No glass connector attached to the corner of the house. No tall pine wall directly behind the garage. ⸻ ARCHITECTURAL PRIORITIES The final image must communicate, in this order: 1. Two clearly separate perpendicular gabled volumes. 2. Long residential modern-barn house. 3. Large deep garage / auxiliary building. 4. Short transparent glass connector entering the SIDE of the house, NOT its corner. 5. Connector and garage shifted toward the terrace. 6. Covered terrace occupying only approximately half of the relevant house façade. 7. Combination of dark metal and substantial dark natural-stone façade areas. 8. Deep muted burgundy standing-seam roofs. 9. Large but controlled amount of glazing. 10. Sauna located at the outer end of the garage with a large window on the LEFT-FACING end façade. 11. Tall mature pine forest behind the house. 12. Shorter spruce trees behind the garage. 13. Predominantly green lawn with limited functional paving. 14. Morning/day without artificial lighting. 15. Evening/night with warm interior, façade, terrace, sauna, connector and landscape lighting. The architecture and geometry must remain IDENTICAL in all four time-of-day panels. Only natural light, sky conditions and artificial lighting state should change.

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1024 x 768

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720324220